- Finding someone you trust to do the actual piercing is the most important. Whether it's a Doctor or the store in the mall with the piercing gun, make sure they follow sterile procedures. And my first choice would be a Doctor that uses the gun since it's quick, sterile and as painless as any piercing can be. Do not use the self piercing earrings that I did because I thought my Mom wouldn't notice. Trust me, waiting for parental consent is much easier.
- Take someone with you, regardless of your age. Yes they can hold your hand but more importantly they are looking at your earlobe from a different angle and can tell you if you're putting that little dot somewhere weird. What may look great to you when looking straight into a mirror may be the totally wrong position when you go to actually wear earrings. And don't put it too far down on your lobe because as you age your ears keep growing and if fashion ever dictates heavy earrings again, you're asking for stretched out or torn holes.
- Pay close attention not just to the position of the dot but the angle that the piercing goes in. Both up and down and side to side will affect your entire earring wearing life. If you ever want to wear hoops, be especially careful or you could have hoops going in two different directions. And trust me again, it's not a good look.
- They'll let you choose your starter earrings so choose carefully because you have to love them for at least 6 weeks last I heard. And there are very few earrings that I could love that long!
- And then there are all those instructions that they give you for after care. Those things we tend to not listen too because we're too busy admiring our freshly pierced lobes. Listen to them and follow them exactly. If they tell you to turn them a certain number of times a day, do it. Because it hurts like heck to do it if you haven't been doing it regularly. If they say leave the earrings in without changing for 6 weeks, don't do it a minute earlier. In fact if you can hold out another week, do it. You want the best possible results for long term use.
- Finally the time comes for you to take out the starters and put in sparkling new earrings. Make sure they're clean. Make sure your earlobe is clean. Change them often.
- And of course, the best place to find interesting earrings is at an art fair. Handmade by the artist in the booth who can adjust them if you put them on and discover that despite all your diligence, your holes are crooked...
Sunday, February 2, 2014
What I've learned about having your ears pierced...
After watching thousands of women try on my earrings over the last 37+ years, I've learned a lot about having your ears pierced and what's really important.
Thursday, October 31, 2013
Cancer - or lack thereof
5 years ago today I had the mammogram that saved my life.
Couldn’t feel it even though they said it had been growing for 6-8 years. But
the mammogram found it. I looked at the images before I left and I said to the
tech, oh that doesn’t look good. She said they would call me if it was
something and I got the call a few days later.
For some people this is a life changing experience but I was
lucky. For me thankfully it was more one of those little bumps in life we all
get. A touch scary but eventually over other than the drugs.
But last night it interrupted my sleep. There’s such a fuss
made over the 5 year mark and even though I haven’t quite made it there, it
will be here soon. My hope is that I’ll be able to stop the nasty drugs and
then I won’t have the daily reminder.
But I’ll always remember the day it all started because it
was my birthday present 5 years ago. Even though the spot I saw on the images
wasn’t actually where the cancer was…
Thursday, October 3, 2013
You took my breath away
I had my world shaken by one person's images while jurying an art fair. Today was the jury for the art fair that Michael Kifer and I run in Kalamazoo Michigan. Because this is a different type of art fair (the Garage Sale Art Fair), Michael and I jury the show ourselves. It's something I'm very comfortable doing and really enjoy. This time it was even better.
Without permission I can't use the person's name but I will tell you that I wish the images of my own work evoked the strength of the feelings that these did for me. Just when you've seen your fill of overworked, over Photoshopped images, one person's work comes up on the screen and reaches up to grab you by the heart. I caught my breath and just drank it in.
There's a lesson to be learned here for all of us. Make your images speak. Let them tell a story. Don't worry about making those big expensive pieces of your work because you think that's what a jury wants to see. Let the jury feel your work and they will get it. And you'll probably get into more of the shows that you want to do. I know I'm rethinking my own images...
Wednesday, July 17, 2013
Leaving Ann Arbor behind
What you can't tell by this picture is that it was my most perfect Ann Arbor Summer Art Fair booth, and it may well be my last one. This was taken last year when Jon Hecker was my roadie for the show and he "tricked out" my booth so wonderfully. What you don't see is the fan situated up in the rafters so it was like having air-conditioning in the booth. Or the carpet runners in front covering the holes in the pavement. It was quite the booth!
I knew it was time to take a break from doing the show. For almost 30 summers my entire year was measured by "before Ann Arbor" or "after Ann Arbor" and it was a huge part of my life. The money I made at the show used to be what got me through winter but times have changed and the show has changed as well. It felt like it was time to move on.
There were high points like the fun I had with all the people who helped me over the years, especially Nancy Martin and Shoaleh Mansour and the awards I won. All the years when we had custom tee shirts made with new job titles on the front and sayings on the backs. The one year Michael Kifer was the poster child for the show and we had tee shirts made that said Michael was next door with arrows pointing to his booth. Three of us crammed into a 10' x 6' booth with the jewelry cases and a couple of chairs but no time to sit down. But I can't forget the year that I fell in the street while helping to lay out the show and broke my leg. During the show Nancy plopped me on a chair outside my booth with my leg up, a fan blowing on me and took over while I was highly medicated and having fun with all the friends who came to visit. Yes, lots of good memories were made at the show.
This years show starts in about 9 hours and for the first time in almost 30 years, I won't be there. I wish all my friends cool, dry weather and great sales. I'll miss seeing them but this was the right decision for me this year. We'll see what next year brings...
I knew it was time to take a break from doing the show. For almost 30 summers my entire year was measured by "before Ann Arbor" or "after Ann Arbor" and it was a huge part of my life. The money I made at the show used to be what got me through winter but times have changed and the show has changed as well. It felt like it was time to move on.
This years show starts in about 9 hours and for the first time in almost 30 years, I won't be there. I wish all my friends cool, dry weather and great sales. I'll miss seeing them but this was the right decision for me this year. We'll see what next year brings...
Thursday, May 16, 2013
On the road again...
It's been a long time coming but today I finally set out for my first outdoor art fair of the year. Instead of the typical last minute scrambling to get things done and get every last possible thing into the van, it was very calm, very organized. Without even really trying I left on time, even slightly early. Once I was on the road this weird sense of peace came over me and left me smiling. It's a beautiful sunny day and I'm off to a wonderful art fair with my van packed full of brand new work being shown for the first time. I love what I do!
Thursday, May 9, 2013
What I learned from "the Flood"
Today was my first day back in the studio since "the flood". Not like the
big huge floods that happened around our area but bad enough. So what have I learned from the experience?
My job now is to concentrate on making jewelry but once I have a break in my shows, I'm back to clearing more things out, both studio and home. This feels good...
- I have way too much "stuff" which is what made dealing with the flood so much harder.
- Wet carpet tiles are really, really heavy.
- Life does go on even without being able to save the yummy, cushy carpeting that covered half the floor and saved my back and knees.
- I learned that vinyl floor coverings are really, really ugly and way too expensive for how ugly they are.
- I have way too much stuff...
My job now is to concentrate on making jewelry but once I have a break in my shows, I'm back to clearing more things out, both studio and home. This feels good...
Thursday, February 7, 2013
After jurying 3 art fairs in 2 days, this is what I learned...
You’ve applied to hundreds of shows over the years. You know
what to do and not do with your images. ZAPP and JAS have made it really easy
to quickly apply and not really think about it. BUT, when was the last time you
went into ZAPP and checked your profile? Checked that all your information is
correct? Checked your capitalization, spelling and punctuation? Have you
checked your artist statement to make sure it’s current?
The same things are important on JAS but on there your
artist statement is even more important. When you’re being juried on JAS (monitor jurying), your
artist statement is right in the center of the page, easy for the juror to
read. And you wouldn’t believe how many people make mistakes in there. The
wrong words, extra punctuation, missing letters and the big one is your name!
Sometimes just the first name, sometimes the full name, “James does this”, “Mary
Smith likes that”. I was shocked during my latest jurying how many statements
had names. Have you checked yours lately?
Your artist statement should be current and if you want a
juror to read it, it should be short. I don’t need to know where you went to
school, what your life’s path has been or how many years you’ve been doing
this. I need to know anything critical to what you’re showing me in your
images. This is not your resume, please don’t list all the shows you’ve done.
Short, readable and to the point.
And then there’s the old issue of a name in the booth image.
There are still many, many booth shots that have either the artists name
showing or the business name. Please, please remove it. It will not help you and
it may hurt you. Take down the booth signs that the show gives you even if you
can’t read your own name on it. Anything that distracts from what you want the
juror to be looking at which is your booth and the work in it. Leave the chair,
that doesn’t bother me at all but get out all the signs.
And I’ve learned a couple of new things in this last round
of jurying that I’ve done. Photographers as a group have the most odd looking
booth images of anyone. Many of them look like they’re 20’ x 20’ booths and
amazingly they show under 10 pieces with no flip bins! Wow! Please don’t take
offense if you’re a photographer because it’s probably not you I’m talking
about but you probably know someone who fits this. Just something to think
about.
The other thing I’ve learned is that sterling silver must no
longer be a precious metal. No one told me! Jewelers - if there are two categories,
precious and non-precious and you work in sterling silver, fine silver pmc or
gold, you belong in the precious category. And trust me, you don’t want to be
in the non-precious category if you don’t belong there. There is some
absolutely wonderful jewelry being made these days without the use of precious
metals and you don’t want to be competing with them if you don’t have to. Of
course if you’re applying in the non-precious category then I’m not competing
with you for a space so maybe I shouldn’t be telling you this…
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